The method of finnishing one song at a time turned out to be really afficient way of recording. Of course, Michael knew that already, but it is all new to us. We did record the drums and basses for all the songs in the first two weeks, but no guitars, keys or vocals. Normally any one song has taken 2 days to complete.
Day one, in the morning around ten, Michael starts to do the rough mix of the song done the previous night. After he´s done, Amen and Michael choose the guitar and the sound for the rhythm guitar track 1 for the next song. Then when that one is recorded, another guitar, another amp and sound, to double the track.
Then it´s usually already lunch time. We´ve grown pretty familiar to the local restaurants here in Mount Juliet. My absolute favourite being Chili´s, because of their awesome ribs of course. Sometimes we invade Olive Garden, oriental buffet, mexican and every thursday is the producers sushi night at Wasabi. Myself, not a fan at all of eating raw fish or anything that didnt live on land, but Awa loved thursdays! Oh yeah, and we loooove to grill!!
After the guitars are done, we do synths. Quite a lot of them were actually done already in pre-production in Helsinki at our rehearsal loft, and that saved a lot of time. But still, choosing the right sounds for every part of the song can take a lot of time. We´ve had tons of different keyboards and synthesizers in the studio here. Millions of sounds to choose from. But I think Michael and Awa have been finding the best ones!
Then I go back to the booth, to double the choruses, sometimes also the pre-choruses and even the verses. Maybe a little harmony with my voice if needed. After all that is done, Kita crawls in and does his thing. Meaning harmonies, of course. Aaand that usually ends the day two, the time being somewhat around ten or eleven again.
But few of the songs actually did take more than 2 days to complete. Discoevil had a lot of programming and synths and loops stuff on it, very much like the songs on Get Heavy, Well, that song comes from around that period so in a way, that was no surprise. Call Of The Wedding is a ballad, but nothing like you´ve heard from Lordi before. Lot of clean guitars there for example. Actually, that one is not quite finnished yet. Bruce Kulick played the solo on that, and Jeremy Rubolino wrote the string score for it. There´s gonna be REAL strings on it, and they´re gonna be recorded in L.A. any day now.